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Antique Hook Footstool Canvas Pearl K McGown, round signed Sturbridge Village

$ 39.6

Availability: 40 in stock
  • Country/Region of Manufacture: United States
  • Suitable For: Hooking
  • Modified Item: No
  • Brand: pearl k. McGown
  • Condition: very good condition
  • Custom Bundle: No

    Description

    Antique Pearl K. McGown  wool hand hooked scrollfinished round rug for table, floor, footstool or I have been using it for a chair seat. measures approx. 17" inches across. I am unsure of the pattern. there is a tag on the back that reads Pearl K Mcgown, West Boylston, Mass. and FS60. There is a second tag attached that reads "property of Old Sturbridge Village" and again the number fs60. finished on the back. see all pics and attached biography of Pearl McGown.
    Pearl Kinnear McGown
    (February 27, 1891 – 1983) was an American designer of
    hooked rugs
    and a teacher and innovator in the field who is credited with helping to bring the craft out of obscurity in the 20th century and gain it recognition as a form of
    folk art
    .
    Career
    Pearl McGown learned rug-hooking as a child. Hooked rugs are made by pulling loops of yarn or thin strips of fabric through a base material with an open weave, typically burlap or linen. In North America, rug-hooking has been a widespread handicraft since the early 19th century, possibly brought over by English textile workers. Like patchwork quilts, hooked rugs have historically been primarily made by women as functional decorative objects that use up remnants from other sewing, knitting, or weaving projects. Although a few professional designers took an interest in hooked rugs during the late 19th century
    Arts and Crafts
    era, they remained associated with poverty and did not enjoy the same degree of aesthetic development as other handicrafts in that period.
    In the late 1920s, McGown began designing and selling her own patterns to students of a Massachusetts hooked rug teacher, Caroline Saunders. Her business flourished and became national in scope, and she eventually hired several helpers. All told, she created over 1000 original designs during her career. She began making rugs herself (now sought by collectors) and became known for floral designs that employ many subtle shades of color to create rich detail and striking pictorial effects.
    In the 1930s, McGown began writing books on the techniques of rug-hooking as well as on patterns and color schemes. She also began offering workshops in wool dying to obtain the shades needed for specific projects. Through her books and dye workshops, she championed rug-hooking's evolution from a plain craft to a
    folk art
    , insisting on high standards of fabrication and steering her students away from commercial patterns towards more personalized designs.
    In 1940, McGown organized an exhibition of hooked rugs that became an annual event. During
    World War II
    , she began a newsletter,
    Letter Service
    , that offered instruction in special techniques, and she also taught rug-hooking to servicemen recuperating in military hospitals.
    In 1951, McGown organized the first in what became an annual series of hooked rug workshops to train new teachers, exchange knowledge, and develop the formal study of hooked rugs and their history. The McGown Teacher Workshops, as they became known, centered on McGown's own patterns, which consequently became widely known.
    In 1970, McGown sold her business to
    Old Sturbridge Village
    , and it was later sold again to the dye manufacturer W. Cushing & Co. Today, there is still a Pearl K. McGown Teacher Certification and Workshop Program under different owners.
    McGown also created the first known correspondence course for those who wanted to teach rug-hooking to others.
    Some of McGown's work is in the Hooked Rug Museum of North America in Nova Scotia, Canada.